​​Wednesday 29 May 2024, 20:15
The Hague: Paleiskerk

etudes

Etudes-Tableaux

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Tickets:  € 27,50

Nathalia Milstein piano

Programme

Jean-Philippe Rameau
Pièces de clavecin (selection)
Gabriel Fauré 
Thème et variations opus 73
Claude Debussy 
Images, Première livre
Sergej Rachmaninov 
Études-tableaux ​opus 39

Fairytales and Paintings

​One of the greatest talents of the new generation'. France Musique is full of praise for pianist Nathalia Milstein, known for her successes on the biggest concert stages. She opens our two concert festival of piano etudes with Rachmaninov's Etudes-Tableaux opus 39. These etudes are inspired by fairy tales and paintings. Although Rachmaninov kept his sources of inspiration to himself, each of the nine etudes tells a compelling story of its own. The music presents the pianist with great technical challenges, but above all it demands a maximum palette of colours and great narrative power. Qualities that Nathalia Milstein excels in. Her previous performances of Rachmaninov's masterpiece left a deep impression.

She opens the evening with French piano music. Jean-Philippe Rameau's Pièces de clavecin are imbued with the refined taste and contrapuntal finesse of French Baroque music. Debussy paid homage to his admired predecessor in his Images for piano. Gabriel Fauré expressed his admiration for Rameau in his beautiful Thème et Variations opus 73. Take this exceptional opportunity to hear this rarely played gem live.

French-born Nathalia Milstein, sister of violinist Maria, comes from a family of Russian musicians; her grandfather was the piano teacher of master pianists as Bella Davidovich and Elisabeth Leonskaya. ​Nathalia Milstein learned the craft from her father, Nelson Goerner and András Schiff. Since her breakthrough after winning the Dublin International Piano Competition in 2015, she has been consistently praised for her “all-round polished, characterful playing”, as de Volkskrant wrote.

​Nathalia Milstein in the press

​“The fingers of Nathalia Milstein land on the keys as if they are air-cushioned. The pianist waits two, three seconds, until the rustling in the Amsterdam Music Building dies down. She plays two soft chords, a few bars of G minor, a few bars of D major. Thus, in all simplicity, Claude Debussy opens his Sonata for violin and piano. After one and a half lessons, anyone can play the sounds, but who conjures up a dream world with them, as Nathalia Milstein does?” 
De Volkskrant (5 star review)

​“​​In short, let Nathalia Milstein enchant you with her eminent playing. I suspect that you will promptly fall to your knees.” 
CD-review on Opus Klassiek