Tim Brackman, Inga Våga Gaustad, Elisa Karen Tavenier

Paleiskerk, The Hague

Geestverwanten

Inspired by Bach

Past

Performers

  • Tim Brackman violin
  • Inga Våga Gaustad violin
  • Elisa Karen Tavenier viola
  • Pieter de Koe cello
  • Floor Le Coultre violin/viola
  • Jelmer de Moed clarinet
  • Eva-Nina Kozmus flute
  • Bram van Sambeek bassoon
  • Rik Kuppen piano
  • Jordi Carrasco Hjelm double bass
  • Georgia Burashko mezzo-soprano

Programme

  • FAGERLUND X BACH
  • Johann Sebastian BachTrio Sonata, BWV 1079
  • Sebastian FagerlundScherzic
  • Johann Sebastian BachInventies, BWV 797 en 798
  • Sebastian FagerlundWoodland Variations
  • WANTENAAR X BRAHMS
  • Mathilde WantenaarLieder der Vergänglichkeit
  • Nocturnes
  • Johannes BrahmsVier ernste Gesänge, opus 121 (arranged for mezzo-soprano and string sextet by Jelmer de Moed)

Bach’s Inspiration

Bach remains a great source of inspiration for composers to this day. One of his most impressive pieces is his Musical Offering. The festival musicians perform the Trio Sonata, in which Bach’s bold experiments with motifs and themes find an intuitive musical form. The ingenious interweaving of motifs also fascinaties in Woodland Variations by the Finnish Bach admirer Sebastian Fagerlund. A landscape with trees stretching to the horizon and vistas that leave you breathless. The Animato Quartet plays together with bassoonist Bram van Sambeek, to whom the piece is dedicated.

Bach was a shining example for Johannes Brahms. In his Four Serious Songs he set biblical texts about transience to music. The music breathes the spirit of Bach’s solo cantatas. In Jelmer de Moed’s arrangement for string sextet, the almost baroque polyphony gains even more relief. Mathilde Wantenaar’s Songs of Transience fit seamlessly into this theme and the world of Brahms. She too is inspired by Bach. In her Nocturnes for clarinet and piano, she makes a forest come alive in the moonlight.