Ekaterina Levental, Jacobien Rozemond, Doris Hochscheid

Paleiskerk, The Hague

Rondom Sjostakovitsj

Two Kindred Spirits

Past

Performers

  • Ekaterina Levental mezzo-soprano
  • Jacobien Rozemond violin
  • Doris Hochscheid cello
  • Frans van Ruth piano

Programme

  • Lera AuerbachSelection from 24 preludes, opus 24
  • Benjamin BrittenSonata for cello and piano in C-major, opus 65
  • Dmitri SjostakovitsjSuite on poems by Alexander Blok voor soprano and piano trio, opus 127

A close friendship

Shostakovich was a close friend of Benjamin Britten’s, with whom he had become acquainted through Mstislav Rostropovich, the cellist who invited almost all prominent composers of his time to compose new cello repertoire. Britten completed his Cello Sonata for Rostropovich in 1961.

Six years later, Shostakovich composed his Suite on poems by Alexander Blok for soprano and piano trio for the cellist. The cycle was premiered in October 1967 during the commemoration of the October Revolution of 1917. Apparently, the authorities were not as sensitive to the political implications of a piece as they had been in the past. Shortly after the revolution, Alexander Blok had expressed his disappointment with what he saw as a failed regime change. Ekaterina Levental will be joined by Jacobien Rozenmond, Doris Hochscheid and Frans van Ruth, praised in de Volkskrant for the “great élan” and the “unconditional dedication” in their playing.

Press Quotes

“Indrukwekkend … een prachtige mezzo, perfecte dictie en sterke présence (NRC over Ekaterina Levental).”

“De uitvoeringen van het duo ademen groot elan en onvoorwaardelijke inzet (de Volkskrant over de pianist Frans van Ruth en de cellist Doris Hochscheid).”

“Ik durf gerust te stellen dat we hier te maken hebben met een eenmalig fenomeen. Dit moet u gehoord hebben (Luister over Jacobien Rozemond).”

“It is cruel, you know, that music should be so beautiful. It has the beauty of loneliness of pain: of strength and freedom. The beauty of disappointment and never-satisfied love. The cruel beauty of nature and everlasting beauty of monotony.”

Benjamin Britten